Disc. 1

1. Symphony No. 6 In D Major, Hob. I:6 'le Matin'

2. Symphony No. 7 In C Major, Hob. I:7 'le Midi'

3. Symphony No. 8 In G Major, Hob. I:8 'le Soir'

Disc. 2

1. Symphony No. 22 In E Flat Major, Hob. I:22 'der Philosoph' (the Philosopher)

2. Symphony No. 55 In E Flat Major, Hob. I:55 'der Schulmeister' (the Schoolmaster)

Disc. 3

1. Symphony No. 31 In D Major, Hob. I:31 'mit Dem Hornsignal' (horn Signal)

2. Symphony No. 73 In D Major, Hob. I:'la Chasse' (the Hunt)

Disc. 4

1. Symphony No. 43 In E Flat Major, Hob. I:43 'merkur' (mercury)

2. Symphony No. 59 In A Major, Hob. I:59 'feuer-symphonie' (fire)

Disc. 5

1. Symphony No. 44 In E Minor, Hob. I:44 'trauer-symphonie' (mourning)

2. Symphony No. 49 In F Minor, Hob. I:49 'la Passione' (passion)

Disc. 6

1. Symphony No. 45 In F Sharp Minor, Hob. I:45 'abschieds-symphonie' (farewell)

2. Symphony No. 101 In D Major, Hob. I:101 'the Clock'

Disc. 7

1. Symphony No. 48 In C Major, Hob. I:48 'maria Theresia'

2. Symphony No. 85 In B Flat Major, Hob. I:85 'la Reine'

Disc. 8

1. Symphony No. 52 In C Minor, Hob. I:52

2. Symphony No. 53 In D Major, Hob. I:53 'l'imperiale' (imperial)

Disc. 9

1. Symphony No. 60 In C Major, Hob. I:60 'il Distratto'

2. Symphony No. 63 In C Major, Hob. I:63 'la Roxelane'

3. Symphony No. 69 In C Major, Hob. I:69 'laudon'

Disc. 10

1. Symphony No. 82 In C Major, Hob. I:82 'l'ours' (the Bear)

2. Symphony No. 83 In G Minor, Hob. I:83 'la Poule' (the Hen)

Disc. 11

1. Symphony No. 84 In E Flat Major, Hob. I:84

2. Symphony No. 86 In D Major, Hob. I:86

3. Symphony No. 87 In A Major, Hob. I:87

Disc. 12

1. Symphony No. 92 In G Major, Hob. I:92 'oxford'

2. Symphony No. 104 In D Major, Hob. I:104 'london'

Disc. 13

1. Symphony No. 94 In G Major, Hob. I:94 'mit Dem Paukenschlag' (surprise)

2. Symphony No. 96 In D Major, Hob. I:96 'the Miracle'

Disc. 14

1. Symphony No. 99 In E Flat Major, Hob. I:99

2. Symphony No. 102 In B Flat Major, Hob. I:102

Disc. 15

1. Symphony No. 100 In G Major, Hob. I:100 'militaire' (military)

2. Symphony No. 103 In E Flat Major, Hob. I:103 'mit Dem Paukenwirbel' (drum Roll)

하이든: 33곡의 교향곡
네빌 마리너(지휘), 아카데미 오브 세인트마틴인더필즈

이 에디션에는 네빌 마리너와 아카데미 오브 세인트마틴인더필즈가 1970년부터 1990년에 걸쳐 필립스 레이블에서 녹음한 서른세 곡의 하이든 교향곡이 담겼다.
<스테레오 리뷰>가 ‘놀라운 우아함과 활력, 정교한 연주뿐만 아니라 뛰어난 공간감과 현장감이 조화를 이룬 탁월한 녹음’이라며 찬사를 보낸 연주로, 여전히 정확한 양식미와 뛰어난 앙상블이 인상적이다.
오리지널 LP 커버를 담은 슬리브와 교향곡 커플링도 눈길을 끌며, 마리너와 오랜 세월 함께 일하며 훗날 필립스 클래식스의 경영자를 역임한 코스타 필라바키의 내지 글도 훌륭한 보너스다.

With the delightful original LP cover illustrations, this 'original jackets' presentation collects together for the first time the 33 Haydn Symphonies recorded by Sir Neville Marriner and the Academy of St. Martin in the Fields over a twenty-year period, from 1970-1990. Both the Polish and refinement of these performances, as well as the recording quality "of exceptional vividness and presence" (Gramophone), received widespread critical acclaim. Begun in 1970 with an album of Symphonies Nos 52 & 53, this series of Haydn recordings soon concentrated on symphonies with nicknames (none of them supplied by the composer). They attracted widespread praise for the precision of their playing, the excellence of the Philips engineering and the unassuming Polish and refinement of the readings, the only complaint being made that Marriner and his ensemble could not venture into all those other symphonic marvels which happened not to have attracted a nickname. Only towards the end of the series, in 1981, did they yield to this criticism by completing a set of the Paris symphonies with beautifully pointed accounts of Nos. 84, 86 and 87. However, with 33 individual symphonies eventually recorded, the series covers a substantial fraction of Haydn's legacy. Marriner took a flexible attitude to thorny academic issues such as whether or not to use a harpsichord continuo: 'The most important thing is to be practical, ' he said, and the series conveys a meeting of minds across the centuries between two supremely practical musicians. Some of these recordings last saw the light of day in a 1996 box of the 'named' symphonies. However, the present compilation restores the original couplings with 'original jacket' artwork. The booklet includes many session photographs of Marriner and the Academy in their natural habitat, as well as an enticing array of editorial contributions: from Max Harrison on Haydn's inexhaustible invention as a symphonist, from Philip Stuart on the ins and outs of the ASMF Haydn discography, from Rob Cowan on Sir Neville Marriner as a director of unfailing style and vitality in this repertoire, and a personal memoir from Costa Pilavachi who worked with Marriner in his capacity as A&R manager and later head of the Philips Classics label.